Video Manipulation:::Still_Frames

Shaman Among the Machines

The Dark Priest

Bipolar

***still frames from a short video manipulation that we made. Original clip is not ours, it is Terence Mckenna talking about shamans among the machines...

6EQUJ5 [Aleatoric Noise|Ambient Drone|Live Sampling] ~ Gen Thalz

Warning: Some sound/s in this audio-video presentation may not be suitable or good for your ears. Listener discretion is advised.

Track: 6EQUJ5
Genre: Electronic
Style: aleatoric, noise, drone
Video Style: dark, glitch, psychedelic

Part 2 of our exploration combining tape loop, skipping cd, and loopception which results to a more atmospheric and sound textural way. The setup is just the same with the first one, we just reassemble the wires and didn't use the DIY Ring Modulator.

Most of the sound here is from skipping cd recorded randomly to a tape loop (23cm long) on a walkman tape recorder then resampled it with a sampler/looper to make it more interesting, atleast for us.

While the feedback from a loopcetion is droning effortlessly, we also resampled some sound it produced and mix it together with the others to make some sound layering.

The voice who looks angry talking in the background is an unknown evangelist preaching about God, obviously that we encounter after a several AM station tuning on a mini-cassette radio, we just need a steady spoken words here to jam with, and he did not disappoint us haha! It is also interesting to note how by chance his radio program ended in-sync with our recording ending.

All sounds is recorded using an analog 4 track tape recorder.

Mixdown using DAW.

Hardware:

- Discman

- Walkman with Tape Recorder

- Mini-Cassette Radio

- Sampler/Looper

- DIY Passive 3x3 Matrix Mixer

- 6 Channel Analog Mixer

The video is a footage of the equipment we used shot using a digicam. We processed those clips to synthesized it and to match the textural sound of the audio. As usual for us, it is very organic how it came out.

"The Cosmic Giggle is... A randomly roving zone of synchronicity and statistical anomaly. Should you be caught up in it. It will turn reality on its head. It is objective and subjective. Simultaneously 'really there' and yet somehow sustained by imagination and expectation..." ~ Terence Mckenna [shaman/ethnobotanist/psychonaut]

Set the Controls for the Heart of the Sun [Pink Floyd cover]

*please listen with headphones

Our first attempt to do a complete cover song and it's full of pretension, dreams, delusions, and ambition - considering it's from the Floyds'! But hey, we need to get this psychedelic paranoia out of our heads, also this is a personal favorites of us from them and we are deeply moved after hearing the version of this song from the great Mr. Mika Vainio (electronic/noise musician), and our newly found progressive metal band OSI (Office of Strategic Influence). So we dearly hope that we give justice covering this trippy-enigmatic-magical song though the recordings is not on its best quality and vocals is a bad idea haha :)

All sounds was made from analog electronic hardware, except for the "bell" or the sine wave sounds which we done/programmed using a free android app called S.A.M.M.I., there is also some noises that happens during recording and editing which is not intentional but we see it as "happy accident", we like it so we keep it.

- recorded using an old multitrack tape recorder.
- arranged, master, and mixdown using DAW.
- spoken sampled words by Morpheus from The Matrix movie (redpill scene).

And for the visuals, obviously it is composed of several random footage of our gears that we used overlapping each other, combined with a different video feedback loop clip that we shot using an ordinary webcam staring at itself on a pc monitor... No special effects and animation.

Lyrics-

Little by little the night turns around
Counting the leaves which tremble at dawn
Lotuses lean on each other in yearning
Under the eaves the swallow is resting

Set the controls for the heart of the sun.

Over the mountain watching the watcher.
Breaking the darkness, waking the grapevine.
One inch of love is one inch of shadow
Love is the shadow that ripens the wine.

Set the controls for the heart of the sun.
The heart of the sun, the heart of the sun.
The heart of the sun, the heart of the sun.

Morpheus: The matrix is everywhere, its all around us, even now in this very room. You can see it when you look out your window or when you turn on your television. You can feel it when you go to work, when you go to church, when you pay your taxes. It is the world that has been pulled over your eyes to blind you from the truth. (Neo: What truth?) That you are a slave Neo, like everyone else, you were born into bondage, born into a prison that you can not smell or taste or touch. A prison for your mind.

Look/Witness the man who raves at the wall
Making the shape of his questions to Heaven
Whether the sun will fall in the evening
Will he remember the lesson of giving?

Set the controls for the heart of the sun.
Set the controls for the heart of the sun
The heart of the sun, the heart of the sun (several times).

Morpheus: This is your last chance. After this, there is no turning back. You take the blue pill - the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill - you stay in Wonderland and I show you how deep the rabbit-hole goes...

Call The Technician

 

Live Analog Electronic Set

 

Demo

 

*Recorded Using a Sony Digicam

Defragment

Live Analog Electronic Set

Demo

*Recorded using a Sony Digicam

iLLUSTRATIONS: Codex from Outer Space and Deus ex Machina

iLLUSTRATION no.30: Psychedelic Glitch

"Deus ex Machina"

iLLUSTRATION no.29: 8-bit

"Codex from Outer Space"

CYMATIC EXPERIMENT: Visible Sounds

“Dance of the Frequencies”

Sounds, video, and improvise by Gen Thalz

“The world is sound” ~ ancient wisdom

“Everything is in a constant state of vibration” ~ modern physicist

Combining sound art electronica and psychedelic paranoia; doing simple sorcery through electricity, circuits, and frequencies we attempt to turn sounds into visual geometric patterns using the magical arts of Cymatics.

Cymatics is the study of visible sounds and vibration, explaining how sounds or frequencies creates or interact with physical matter.

As the Bible states, “and God SAID, ‘let there be light’, and there was light…” (Gen. 1:3)

*Sounds were coming directly from a 7W/8ohm speaker vibrating the canister cap of candies we found at home. Frequencies were generated by a DIY astable oscillator.

*Other noises are from outside world.

*Apologize for the clumsy footage.

Everything is Sound (digital radiophonic, glitch, databending)

Music, video, and lyrics by Gen Thalz

THE ALCHEMY OF SOUNDS:

I think sometimes the role of a person who makes music is to take these everyday noises that are ugly and make them beautiful, and by this they doing magic ~ Bjork (singer-songwriter)

*No well-known musical instruments were used in the making of this music or sounds. No notes, notation, complex scale, or any simple chords. All sounds were made of random noises we collected, recorded and mutated, except for the human voice.

Ingredients:

1. Personal sound of morning piss on a Pik-Nik (original) can.
2. Wine Glass harping.
3. Crumpled newspaper.
4. Rubber band, plucked.
5. Stapler, pressed several times.
6. Comb scraping with hairpin.
7. Shake water jug.

We call the technique used in this music or sound as “Digital Radiophonic” or “Databending”. It is a digital version of the original techniques such as Radiophonic and Music Concrete were composers use magnetic tape, morphophone and other recording devices available at that time to record and manipulate raw sounds from anything they could find on their surroundings or "found sound" like frying pan, spoon and fork etc. They manipulate these recorded sounds by changing its speed or tempo, altering the pitch, distort it, reversed, apply effects like echo, delay, flanger and so on to create new weird, strange, out of this world sound.

One of the key figure in radiophonic is Delia Derbyshire (musician, composer of electronic music, and music concrete), they call her “The Sculptress of Sound. Best known for her electronic realization of Doctor Who theme music (BBC science fiction television, 1960's).

The only difference between Digital Radiophonic and the original Radiophonic itself is the device use. Here we only used computer, music editor software, and a ordinary microphone use for chatting but the process is much like the original radiophonic, only we manipulate sounds as wave form on the music editor software and we want to be minimal in a sense, and to be sound more like glitch music similar to the works of Alva Noto, Ryoji Ikeda, Pan Sonic, and Kabutogani. 

However glitch music is primarily made of computer or any machine sound errors. So what we basically do here is creating a glitch sound using radiophonic/music concrete technique and databend digitally.

It’s not complex or technical and not so simple as well, but more detailed (fussy) and time consuming, so you would put a lot of effort just to create a 1 minute or 3 minutes music piece out of the abstract sounds you may find wherever they came from.

Digitally it’s not that easy, what more for the original radiophonic and music concrete were they cut and paste magnetic tape manually to produce unconventional sounds? But it’s really worth the journey, especially if you’re into experimental music or sound art.

Music concrete, radiophonic, glitch music, and digital radiophonic is a new look or another way of composing presented by means of non-traditional way of making music. Collecting any form of noises or sounds then turning it - the abstract, errors, and chaos of sounds into order. As Pierre Henry (pioneer of the musique concrète genre of electronic music.) states:

“Musique concrète, in my opinion … led to a manner of composing, indeed, a new mental framework of composing".